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Posts Tagged ‘Grateful Dead’

We’ll just say Day 154… Miles Davis, Grateful Dead… lots more…

Sunday, October 17th, 2010

Well… it’s been a couple of weeks. The first week I was in Italy for concerts and workshops and just didn’t have discs with me. It was a fair trade off, to say the least. Then last week was dealing with jet-lag as well as just adjusting to teaching again… but in the past couple of nights I have gotten back into the swing of things. Last night was some Radiohead, The Spinanes and Oasis, tonight features a two-disc opportunistic greatest hits Grateful Dead set (‘The Arista Years’) as well as the first Dick’s Picks, the complete Miles Davis ‘In A Silent Way’ sessions and an Arvo Pärt disc.

I say ‘opportunistic’ about the ‘Arista Years’ discs because they came out within about a year of Jerry Garcia dying. For the label to just throw together the collection was surely a way to try and milk the Arista catalog for what it could. And while there are some good songs on ‘Terrapin Station’ and ‘In The Dark’, for the most part all these albums sounded weak compared to live concerts (which is amazing… 1977 is a time of generally high quality Dead shows, and the studio albums from around that time some lifeless). What is even more amazing to me is that this collection represents 18 years of the band’s 30 year existence, yet a small portion of their recordings. So while in some ways it seems like the release of the disc may have been a little ‘too soon’, at the same time I can understand why it was put together. With the exception of ‘In The Dark’, I imagine none of these albums really paid for themselves. And for the most part, the collection puts together just about the songs I would want off these albums. I certainly wasn’t ever going to put down cash to buy any of these records, not when I could probably get just about all of them in great live performances. But in a two disc set, well, not bad. I bought it. And so it seems a little cold to me on the one hand that just after this band has officially called it quits after Jerry died that their label would carve the work up for such commercial purposes. At the same time… sure am glad they did! I certainly wouldn’t have paid for the ‘Complete Arista Years With Outakes’ discs.

Which is basically what Columbia did for Miles Davis. The box sets they released over the past decade or so that capture his output during his time at Columbia are nothing short of amazing, and I think the ‘In A Silent Way’ sessions is the last of the Miles box sets I have to rip. While only three discs, the liner notes comment that this set covers about six months worth of sessions that have Miles leaving the Quintet behind while looking ahead to what will become ‘Bitches Brew’. While I would never question the genius that is ‘Bitches Brew’ I like ‘In A Silent Way’ better. The music is haunting at times, at other times it is stretching out and searching. And some of the tracks almost feel like younger Miles Davis. It is experimentation building on foundation, and it is amazing to hear the progression while listening to the discs from beginning to end. The rehearsals that were recorded also show how this music was shaped in the studio, and while they are rehearsals they are just as exciting as the material that made its way onto the final discs. Also of note is the presence more and more of the electric piano and organ (sometimes there are three keyboards playing on a single track!) as well as more electric guitar (welcome John McLaughlin). The tunes get a funkier, sometimes denser, feeling as a result.

Day 80. Grateful Dead.

Monday, May 3rd, 2010

Today has a stack of Grateful Dead discs (mostly concerts) getting added in to the server. Most of the concert recordings are from the 70s (via Dick’s Picks), a few recordings I downloaded some time ago from archive.org and a few actual album releases. Right now I have ‘History of the Grateful Dead Vol. 1, Bear’s Choice’ on. I don’t many people who would list this among their favorite Dead discs, but I think Bear chose well. The mostly acoustic set reminds me of the early 80s disc ‘Reckoning’, but with even more of a folk feel, but then you also get the bluesy feel of Pigpen singing ‘Hard to Handle’ as well.

Hearing recordings of Pigpen singing is always pretty exciting to me. He passed away before I was born, and a few of his songs were performed by the Dead through the 80s and 90s, but the energy and gravelly sound he gave to the band never really was replaced. Among the live recordings I pulled off tonight there were also a couple of recordings of ‘Turn on Your Love Light’. In the 80s, Bob Weir sings the song and it lasts about 10 minutes and has a good groove, but in the 60s Pigpen sang the song, and tried to find hook-ups for everyone else in the audience. You hear him pointing out people, telling them to check and see if someone else already has someone to go home with that night. He throws some suggestions for what to do in as well. After Pigpen, in spite of the drugs and drunkenness that would be seen at a concert, you rarely had the band telling people to actively start getting it on. For some reason, I think if Pigpen had been with the group into the 80s, I don’t think my parents would have been taking me to Dead shows (though the drugs and drunkenness were not worries for them in the same way???).

I went to LOTS of Dead shows growing up, and now, having the benefit of being able to hear good recordings of shows from before my memory, I can see how much their shows changed after the early 80s. The shows from the 70s really are amazing for the most part. But the shows from the 80s usually have the more expanded ‘Drums and Space’ that I still enjoy quite a bit (and these are also the parts of the show that probably sound the most like my own music at times!). So – I know it all influenced me, and while I can’t see going to concerts now, it sure is fun to listen to old recordings. Thanks to all those people who, for decades, taped and digitized one pretty amazing archive or work!