DIGITAL TO ANALOG CONVERSION, getting the bits to my speakers
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Posts Tagged ‘Debussy’

Day 108. Ravel, Debussy and Mahler.

Saturday, June 12th, 2010

After last night’s Pascal Rogé fun, as promised I searched for the other recordings of his that I have. The disc with the violin sonata took some time to find. It was literally the last place I looked in the back row of discs, at the bottom of a shelf. Didn’t find the piano trio disc yet though. Along the way, came across his Debussy London two disc set. And I also saw (by other artists) a number of Ravel chamber music discs, piano concertos, and scattered about, a number of Mahler symphony recordings. So I grabbed those for tonight as well.

The Rogé discs are on the speakers tonight though, in more ways then one. Celia wanted some different music for her room, and when I told her about ‘Mother Goose Suite’ she was open to Ravel. So the second disc of that set has been beaming through the house over her room monitor. The high notes are represented quite well. I ripped the disc with the violin sonatas first, and that has been on for a bit already. The disc features Chantal Juillet on violin, and Truls Mørk joins in for the violin and cello sonata. I forgot about the recording of ‘Tzigane’ on this disc which features a kind of prepared piano – the ‘piano luthiel’, which consists of an attachment to the harp of the piano that makes it sound like a cimbalom. Very cool. When this disc came out originally it was only available on Decca which, at the time, wasn’t available in the US. It’s presence was revealed to me by one of Tower’s regular customers named Richard who really knew his classical music (there will be a second Richard story probably tomorrow night… another disc I associate with him was in my ‘ooohhh… look what I found’ stack tonight). Richard regularly bought then returned discs to keep his library rotating, and since he usually bought more then he returned, we didn’t have too much of a problem with this at the Berkeley store. For me, the stuff her returned was always quite good, so from my point of view, we had good music to play once he brought it back. Anyways – Richard picked the disc up during a trip to Europe (I believe for a ‘Ring’ cycle) and let me borrow it. I brought it back to him a week later and was visibly sad to give it up again… but I imagined that since it was on Decca, at some point it would be released here in the states on London. About a week later  I saw the release of it announced, but it wouldn’t be coming for another six months! I told Richard about it and that I was excited it would eventually be coming in, and about a week later he brought it back to the store with a post-it note on the disc saying ‘Don’t postpone the pleasure! I’ll get another soon for myself.” I still have the post-it note in the liner notes… it really was a very nice thing to do, and it is still one of my favorite discs that was ever given to me.

The Rogé Debussy is quite well done, and just playing a few tracks tonight was fun.  The other discs were a couple of Klemperer Mahler symphonies. The Mahler 2nd (a live recording) is just damn amazing. And the recording of the 9th is still one of my favorite recordings of that symphony. The beginning is just about perfect… pulsing and dying at the same time, until finally the spring of life finally comes out of the strings playing the first melody. Just beautiful. Also in the stack is the soundtrack to ‘Un Coeur en Hiver’ featuring all Ravel chamber music. And for a soundtrack, the performances of the pieces on the disc (the trio, violin sonata and violin and cello duo) are great. It might actually be my favorite recording of the trio and IS my favorite recording of the duo.

More tomorrow as I keep working through the stack of fun…

Day 13. Debussy and Ravel.

Monday, February 1st, 2010

Today’s picks were from the Debussy section, which meant there would be some Ravel as well. After actually learning both of these composers works, I am amazed at how easily they are grouped together when their music really is quite different. It is almost impossible to find one composer’s quartet without the other for instance, or discs of orchestral music.

All that was really picked by Celia today was a two-disc set by the Nash Ensemble of both composer’s chamber music (including one of my favorite pieces, the duo for violin and cello by Ravel), a disc containing each composer’s quartets (plus Fauré’s late piano trio) and a Herbert Von Karajan disc of orchestra music (leading the Orchestre de Paris). The recording of ‘La Valse’ on the Karajan disc is amazing. The Orchestre de Paris provides a sharper sound for Karajan then Berlin usually did during this time period, but Karajan brings a strong Austrian understanding of the waltz to the performance. Most people think of waltzes as oom-pah-pah background music, but for J. Strauss and the other composers of the Viennese  waltz tradition the dance was actually quite racy. A friend once described it as ‘a vertical expression of a horizontal intention’. And Karajan conducts it in this way – with slight moments of holding back here and there, until the self-destruction that Ravel composed finally explodes. Because of the program associated with Ravel’s waltz (a nostalgia for the Europe that WW I destroyed) the tension and release here is one of self-destruction.

After listening to the Karajan recording I decided to grab the 4 disc set of Jean Martinon’s recordings of Debussy’s orchestra music and his 2 disc set of Ravel’s, both re-released on EMI discs. All these recordings also use the Orchestre de Paris and were originally releases as quadraphonic recordings. I would love to find a DVD release that takes advantage of this original recording, but in the meantime these stereo versions are well worth having. In fact – I think the Ravel recordings are the best ones out there. Martinon’s recordings share a deeper understanding of the composers themselves. While the Karajan is about Karajan doing what he does to Ravel and Debussy, the Martinon recordings let the composers themselves come through much more clearly. I’m looking forward to listening to these again tomorrow.