DIGITAL TO ANALOG CONVERSION, getting the bits to my speakers
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Archive for May, 2010

Day 80. Grateful Dead.

Monday, May 3rd, 2010

Today has a stack of Grateful Dead discs (mostly concerts) getting added in to the server. Most of the concert recordings are from the 70s (via Dick’s Picks), a few recordings I downloaded some time ago from archive.org and a few actual album releases. Right now I have ‘History of the Grateful Dead Vol. 1, Bear’s Choice’ on. I don’t many people who would list this among their favorite Dead discs, but I think Bear chose well. The mostly acoustic set reminds me of the early 80s disc ‘Reckoning’, but with even more of a folk feel, but then you also get the bluesy feel of Pigpen singing ‘Hard to Handle’ as well.

Hearing recordings of Pigpen singing is always pretty exciting to me. He passed away before I was born, and a few of his songs were performed by the Dead through the 80s and 90s, but the energy and gravelly sound he gave to the band never really was replaced. Among the live recordings I pulled off tonight there were also a couple of recordings of ‘Turn on Your Love Light’. In the 80s, Bob Weir sings the song and it lasts about 10 minutes and has a good groove, but in the 60s Pigpen sang the song, and tried to find hook-ups for everyone else in the audience. You hear him pointing out people, telling them to check and see if someone else already has someone to go home with that night. He throws some suggestions for what to do in as well. After Pigpen, in spite of the drugs and drunkenness that would be seen at a concert, you rarely had the band telling people to actively start getting it on. For some reason, I think if Pigpen had been with the group into the 80s, I don’t think my parents would have been taking me to Dead shows (though the drugs and drunkenness were not worries for them in the same way???).

I went to LOTS of Dead shows growing up, and now, having the benefit of being able to hear good recordings of shows from before my memory, I can see how much their shows changed after the early 80s. The shows from the 70s really are amazing for the most part. But the shows from the 80s usually have the more expanded ‘Drums and Space’ that I still enjoy quite a bit (and these are also the parts of the show that probably sound the most like my own music at times!). So – I know it all influenced me, and while I can’t see going to concerts now, it sure is fun to listen to old recordings. Thanks to all those people who, for decades, taped and digitized one pretty amazing archive or work!

Day 79. Bob Weir, James Brown and Eddie Hazel.

Sunday, May 2nd, 2010

So after a week of simply an amazing amount of work happening at UW, I decided to take 30 minutes or so tonight to at least get something added to DAC and write a post. Tonight’s additions were Eddie Hazel’s ‘Game, Dames and Guitar Thangs’, James Brown’s ‘Soul On Top’ and Bob Weir’s ‘Ace’.

‘Ace’ is an album I pretty much remember from being a kid, and for all intents and purposes it is really a Grateful Dead record. Many of their concert staples come from this record (most notably ‘Playing In The Band’, but my faves are ‘Greatest Story Ever Told’ and ‘Cassidy’). And like most Grateful Dead studio albums, the studio versions don’t stand up as well as live performances. Not that the album is bad, just that if I want to hear just about any of the songs on it, I’d rather dig up a live show from ’77 then put on ‘Ace’.

While I was familiar with Eddie Hazel and his playing with Parliament, it was during a drive around Tacoma one night with KUPS on (the best thing about UPS is its radio station). They played Eddie’s cover of ‘I Want You (She’s So Heavy)’ and I think the car slammed to a halt because my jaw dropped onto the brake pedal. SUCH a funky version… and so soulful. I found the recording the next day and was more then pleased to discover the genius of the rest of the disc, including an even more amazing cover of ‘California Dreamin’. These covers are everything that covers should be. The artist makes them their own, and the songs grow because of that ownership. While testing sound this morning I put ‘California Dreamin’ on and was floored again. What an amazing guitarist, and the arrangements (horns and vocals) are great.

‘Soul on Top’ is another great example of what an artist can do with cover songs. The twist here is that in many ways it is James Brown covering some greats (Kurt Weill and Hank Williams) it is also James Brown covering James Brown. The group consists of a big band along with a couple of the standard James Brown contingent, and the results are mixed. The size of the group sometimes makes some of the songs lumber a little, but on ‘It’s a Man’s Man’s Man’s World’ and ‘Papa’s Got A Brand New Bag’ the re-arrangement works very well. Not ‘better then the original’ but for these tracks it feels like James Brown re-thinking his music with the new performance forces. And the version of ‘You’re Cheating Heart’ is simply one of the best covers ever done.